Vinyl Get!
Monday July 19th 2010, 3:34 pm

Have bought a lot of vinyl and sat it next to the record player recently. I’ve played a couple. Such is life.
I was meaning to photograph them all but have so far captured the above quartet. The rest must wait. There’s some gooduns though. Ethio-funk sevens that really need recording onto the computer. Good Jazz and Soul LPs. Real nice.
Vinyl Get
Sunday January 10th 2010, 5:28 pm

Gotted some nice bits of vinyl recently. A couple of nice moody soundtracks from two of the masters. Everyone needs the UN Resolution on Racism on vinyl right? Bottom right is a UK HMV copy of an Impulse comp that has a bunch of tracks unreleased elsewhere on vinyl. Gooduns.
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Mines
Saturday July 18th 2009, 5:23 pm

If I haven’t been doing much recently I have at least been picking up records. Here’s some bits I’ve grarpsedd in the last month or so.
Pretty much started and completed my Leon Thomas solo collection in one go. That Louis Hayes has a great “My Favourite Things” on it. The Impulse comp is a nice curio and “Bill Cosby Talks To Kids About Drugs” is just as good as you’re imagining.
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Caedmon Records discography
Friday February 22nd 2008, 1:42 pm

I often look around the internet for a list of all the records released on my favourite spoken-word label, Caedmon. There isn’t a good list yet. Discogs will get there eventually but at the moment it only lists a handful.
So yesterday I sat down to compile this list. Its mainly compiled from the inner-sleeve catalogues that Caedmon printed and my own collection. They stopped printing the catalogues at some point so its hard to find listings for releases after the 1300s. I also included a few releases that I could verify from Ebay listings.
So far I’m only dealing with the TC series. The main series. The Theatre Recording Society (TRS) and Shakespeare Recording Society (SRS) series will have to wait until I’m next in manic-list-making mood. I’ve also emitted the UK releases for the time being as I’m not sure how they fit in.
I just wanted a list I can look at and I couldn’t wait for discogs to catch up.
Any help filling in gaps is much appreciated, just stick them in the comments section.
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“A writer should write what he has to say, and not speak it”
Thursday October 25th 2007, 1:56 pm

Ernest Hemingway – The Nobel Prize Acceptance Speech 1954
Ernest Hemingway – Second Poem To Mary Written 1944
Caedmon’s Ernest Hemingway Reading LP sounds an awful lot like Colonel Walter E. Kurtz’ recordings in Apocalypse Now. The gatefold sleeve contains extensive notes on the recordings, written by Mary Hemingway and Hemingway’s biographer A.E. Hotchner (subject of the film King Of The Hill). Unlike almost all Caedmon records which are of superb sound quality, this LP contains home recordings. A.E. Hotchner writes:
One of Ernest Hemingway’s deadliest enemies was The Microphone. The Camera ran it a close second, but The Microphone was the blackest villain that stalked his life, and despite the persistent blandishments of radio stations, television producers and record companies, he successfully fended off all efforts to put him in the grips of The Demon Mike.
But Over the years, under special circumstances, Ernest did record a few things for me on an old Webster wire recorder the he kept in his finca in Cuba, and on a transistorized pocket recorder called a Midgetape which we took on our travels. These wires and tapes, imperfect though they are, are virtually the only record we have of his voice. (The one exception is his acceptance of the Nobel Prize which was recorded by a Havana radio station.) This album contains, in addition to the Nobel acceptance, five recordings made during 1948-1961, which was the span of time I knew him.
The homemade feeling of the record carries over to the sleeve, with cover photo taken by Mary Hemingway and the candid picture of the couple attending a bullfight in Pamploma. This record is strangely personal and a bit disturbing but I guess that fits the profile we have of Hemingway. Regardless of his opposition to microphones he has a real character and presence when reading his work, something many authors that record profusely lack entirely. If he hadn’t terminated himself (with extreme prejudice) at 61 we might have heard more from him.
It doesn’t seem to be available on CD at all, the tapes belonging to Hotchner rather than Caedmon’s now parent company Harper Audio, but copies do pop up on Musicstack and Amazon sellers from time to time.
Recommended.